wwbirds
05-06-2011, 10:12 PM
Thanks for all the compliments on the other thread about the working decoys I have made and several of you bought. A number of people have expressed interest in the competition quality decoys made specifically for competing.
Here are a few examples:
One of my first adventures into competition was the creation of a low head one piece pintail with a plastic tail that would stand up to the rigors of hunting. The open bill was to give him the relaxed lazy look.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0061.jpg
At about the same time I decided to tackle a pair of the most difficult birds to paint so decided to compete a pair of American widgeon:
http://i734.photobucket.com/albums/ww349/wwbirds/wigeonpairlsjpg.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/wigeonpairrsjpg.jpg
The following year I decided to do a bird I have shot far too many of in Northern Ontario when I hunted the rice paddies of Georgian Bay and other big water. ringneck drake
http://i734.photobucket.com/albums/ww349/wwbirds/ringneckdrrsjpg.jpg
In 2007 I decided to jump into the world championship race by entering the shooting rig comprised of any pair of worldwide waterfowl and one additonal bird. A good friend who is world class taxidermist heard I was researching brant and common eiders so sent me them as reference which was very helpful in making my patterns and painting because I had never seen the live birds personally. The actual carvings are hollow tupelo and weigh only 10 ounces but since the competition is rain or shine in Chesapeake Bay some rough water can be anticipated so the keels are weighted with 4 pounds of lead to keep the centre of gravity low and stable in rough water. They self right from any position as a test in the competition. to prevent them from blowing away in the wind the anchors are poured lead that I carved into clam shells and they are color coordinated to the bird they are attached to.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0057.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0056.jpg
The next year in 2008 I decided to do local birds I see every day in Alberta on the farm with the primary pair being shovelers. To keep the third bird realistic and also because they generally award more points to difficulty in painting hens I chose a hen pintail (blue bill).
the anchor this time were poured lead common snails
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0055.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0054.jpg
In 2009 I decided to do another local bird but was doing a family group of cinnamon teal to keep the third bird in the trio an immmature female cinnamon teal.
the display was a little more involved for I had the female cinnamon sitting on a floating log overlooking the immature female with proud poppa looking on.
the anchors this time were toadstools growing from the floating log.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0059.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0058.jpg
Thanks for looking
Rob
Here are a few examples:
One of my first adventures into competition was the creation of a low head one piece pintail with a plastic tail that would stand up to the rigors of hunting. The open bill was to give him the relaxed lazy look.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0061.jpg
At about the same time I decided to tackle a pair of the most difficult birds to paint so decided to compete a pair of American widgeon:
http://i734.photobucket.com/albums/ww349/wwbirds/wigeonpairlsjpg.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/wigeonpairrsjpg.jpg
The following year I decided to do a bird I have shot far too many of in Northern Ontario when I hunted the rice paddies of Georgian Bay and other big water. ringneck drake
http://i734.photobucket.com/albums/ww349/wwbirds/ringneckdrrsjpg.jpg
In 2007 I decided to jump into the world championship race by entering the shooting rig comprised of any pair of worldwide waterfowl and one additonal bird. A good friend who is world class taxidermist heard I was researching brant and common eiders so sent me them as reference which was very helpful in making my patterns and painting because I had never seen the live birds personally. The actual carvings are hollow tupelo and weigh only 10 ounces but since the competition is rain or shine in Chesapeake Bay some rough water can be anticipated so the keels are weighted with 4 pounds of lead to keep the centre of gravity low and stable in rough water. They self right from any position as a test in the competition. to prevent them from blowing away in the wind the anchors are poured lead that I carved into clam shells and they are color coordinated to the bird they are attached to.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0057.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0056.jpg
The next year in 2008 I decided to do local birds I see every day in Alberta on the farm with the primary pair being shovelers. To keep the third bird realistic and also because they generally award more points to difficulty in painting hens I chose a hen pintail (blue bill).
the anchor this time were poured lead common snails
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0055.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0054.jpg
In 2009 I decided to do another local bird but was doing a family group of cinnamon teal to keep the third bird in the trio an immmature female cinnamon teal.
the display was a little more involved for I had the female cinnamon sitting on a floating log overlooking the immature female with proud poppa looking on.
the anchors this time were toadstools growing from the floating log.
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0059.jpg
http://i734.photobucket.com/albums/ww349/wwbirds/DSC_0058.jpg
Thanks for looking
Rob